Thursday, 28 October 2010

Wow : (

I work hard for it, I invest money into, and I make living from it. Especially as small independent artist who needs to cover every cost involved in it, this hurts :(

Blogs5 new results for cyclamen senjyu
Cyclamen-Senjyu-2010-MTD | WRZSRC
By ( . )( . )
Rel. Name: Cyclamen-Senjyu-2010-MTD Genre: METAL FiLE iNFO: 12 Tracks | 58.68 MB MP3 iNFO: BitRate: Variable kbps | SampleRate: 44 kHz | Channels:
WRZSRC - http://www.wrzsrc.com/
Cyclamen-Senjyu-2010-MTD - daLoad.com - RapidShare Warez Board
By Youcef
Cyclamen-Senjyu-2010-MTD Release Info Code: MTD Proudly Presents Artist : Cyclamen Album : Senjyu Label : Genre : Metal Street date : 2010-10-25.
daLoad.com - RapidShare Warez Board - http://daload.com/
.: CyclamenSenjyu (2010)
By And_nyahnyu
CyclamenSenjyu (2010). Genre: Mathcore/Metalcore Country: UK. http://www.myspace.com/thiscyclamen. Tracklist: 1. Mother 1:39 2. The Seeker 2:21 3. Thirst 1:57 4. Hope 3:59 5. Comfort 2:49 6. With Our Hands 2:38 ...
. - http://nyahnyu-metalcore.blogspot.com/
Cyclamen-Senjyu-2010-MTD - Rapidshare Forums
By Harakiri
Cyclamen-Senjyu-2010-MTD Rapidshare Megaupload Full Download Links. find more Links on Filefactory, Megashare, Netload, Depositfiles,mediafire,4shared,
Rapidshare Forums - http://www.releasehour.com/forums/
Cyclamen-Senjyu-2010-MTD | Free Mp3 Online Download
By admin
Cyclamen-Senjyu-2010-MTD Release Info Code: MTD Proudly Presents Artist : Cyclamen Album : Senjyu Label : Genre : Metal Street date : 2010-10-25 Quality : 208 kbps / 44.1kHz / Joint Stereo Encoder : Lame 3.97 -V2 --vbr-new Size : 61.20 ...
Free Mp3 Online Download - http://freemp3onlinedownload.com/

Web5 new results for cyclamen senjyu
» CyclamenSenjyu (2010) - Bunalti.com | Sharing Our Pain
Senjyu 6:29 12. Full Moon Night 4:21. Sadece kayitli kullanicilar yorum yazabilir. kayit ... CyclamenSenjyu (2010) · Moment Of Clarity – Silence ( 2010) ...
www.bunalti.com/?p=149171
Cyclamen-Senjyu-2010-MTD - Rapidshare Megaupload Full Downloads Forums
Cyclamen-Senjyu-2010-MTD Rapidshare Megaupload Full Download Links. find more Links on Filefactory, Megashare, Netload, Depositfiles & Direct Links.
www.softsclub.com/.../479090-cyclamen-senjyu-2010-mtd.ht...
cyclamen senjyu - download - (4 files)
cyclamen senjyu download from FilesTube search engine -Cyclamen Senjyu 2010 MTD ,Cyclamen Senjyu 2010 MTD ,3323160d7beaa3b484254a6a47b507e7 , Rapidshare ...
www.filestube.com/c/cyclamen+senjyu
[HF] Cyclamen-Senjyu-2010-MTD
Cyclamen-Senjyu-2010-MTD Release Info Code: MTD Proudly Presents Artist : Cyclamen Album : Senjyu Label : Genre : Metal Street date : 2010-10-25.Link
gxiso.com/music/876252-cyclamen-senjyu-2010-mtd.html
[HotFile] Cyclamen-Senjyu-2010-MTD
Cyclamen-Senjyu-2010-MTD Release Info MTD Proudly Presents Artist : Cyclamen Album : Senjyu Label : Genre : Metal.
www.warezgen.com/forum/showthread.php?698433...2010...



Monday, 25 October 2010

"Senjyu" out now & Thank you!

Our debut album "Senjyu" is out today! It's available in all good stores!


iTunes:

Amazon:

Please spread the word and share this on Facebook/Twitter etc!

And more importantly, I'd like to say massive massive thank you to every single one of you for supporting Cyclamen and helping us to get to where we are now.

Cyclamen started as a solo project in a dump cold bedroom in Reading, UK, by this random Japanese guy no one knew about (me) - I wasn't even that good with making music then.
But constant encouragement and help you have given to me allowed Cyclamen to grow continuously, and Cyclamen transformed from something I just did for fun to something that really matters in my life, something that I can really be proud of myself.

Over last 3 years I had some amazing experiences like collaborating with Mikee Goodman, producing music together over internet with Travis Orbin, meeting current band members and finally making it a full band then performing shows (Which I really thought would never happen). Then now releasing an album!

There are endless list of things that I am so grateful to be given opportunity for, and all of this could have never happened without your help.

So thank you so much for all the support you've given to Cyclamen so far, and I hope we'll continue to make music that will please your ears :)

Hayato

Friday, 30 July 2010

Senjyu recording session report

So taking what I said in previous post to practice, this is what I did for making Senjyu!

First of all, my entire recording setup:
As you can see, no mixer, no monitors. Just laptop, a couple of pedals and a couple of outboards.

1. For computer I am using Macbook Pro. I travel around a lot and portability is key - But I didn't want my laptop too small either so 15 inch screen is a good size. 4GB RAM. About 3 years old now!

2. I am using Logic Pro 9, I only chose Logic because it was cheapest and had prettiest interface. Also set of plug-ins and sound library that comes with Logic is pretty good!


3. Microphone
For recording guitars, I used Shure SM57. In this picture it's positioned like that but for every track I did move around to make sure it gets most suited sound.

Blackstar HT-5 also had "Emulated Output" so I recorded both by microphone and emulated output.

For bass, I used this random Siberian bass compressor I picked up for about $20. Apparently it goes on internet for about $200. This connects straight to line-in. Unless I wanted bass distortion, which case I connected output to Blackstar HT-5 before it goes into Logic.


For vocals, I used Shure SM7 for everything.
These two microphones are only microphones used in the session!

4. Interface

For interface, I used Apogee Duet. When I recorded guitars I used both inputs by recording microphone and emulated output. For other things I just used one input. Output is monitored by headphone outs.

5. For plug-ins, I use Logic, PSP and Waves effects only. They seem to cover everything I need : )

6. Outboards
This is the most expensive section of my recording setup. They are Rupert Neve Portico preamp and compressor. Neve is extremely well known brand of mixers and this is their more affordable products (But still costs around $1500 each). They are both designed to be used for two inputs, which matches the number of Duet. So this works for me!

7. Monitors

As I said at the beginning, I didn't use monitors, instead I used high end Shures in-your-ear earphones. I love them, and I definitely feel I can mix music much better with these - Not to mention that the price is less than half of monitors which similar audio quality.

So here you go, here is very quick guide to my studio setup!

Thursday, 29 July 2010

Guide to home recording studio: Your need

So, you've picked up your first guitar, learnt few cool tricks, and wrote awesome song that will change the history of rock and metal forever. Only one thing left before playing in Wembley Arena - Recording the song.

These days you hear so many songs that are produced in "Home studio", but what the hell does that mean? To be honest with you, it could literally be anything. It could be a cupboard with a laptop mic, it could be a bed room with fancy reference monitors and a mini mixer, or literally a acoustically treated studio with top-end equipments that just happens to be at home.

For this post I will try to focus on setting up a recording environment that will be good enough to produce a record for releasing - By this I mean that the end product will be close enough to big budget recording to most listeners' ears that quality of listening will not be disturbed by its recording quality.

You will (Given that you are dealing with experienced producer) get better quality recording with better equipments. You can't expect to achieve exactly the same result as $1000000 studio by using $100 recording equipment. However you CAN get close enough to them with much smaller budget if you know the trick.

Because we are trying to achieve good enough recording for releasing CDs, the budget for the setup shown here isn't cheap. But don't be put off by it, by choosing right things to buy first, you can slowly expand and upgrade your setup when you got some cash.

So here are things you need, in order (Please note that this is completely subjective opinion of mine!):

1. Computer.
If you don't have one, beg your mother to buy one saying that you will need it for your coursework in few years anyways.
Choice of computers are extremely personal so I will just give guidelines from my personal experience.

- If you are still in education for foreseeable future then get a PC
- If you want flexible computer that can do all things with wide option, get a PC
- If you know that you will only want best performance on creative things (arts, music), and don't mind having very small selection of software available to you, get a Mac
- If you think Mac is cool and it's worth the inconvenience it comes with it. Get a Mac.

I have a Mac. And I probably use about 3 programs regularly: Logic, Safari and Skype.

2. Recording program
You are ready to make a recording. QuickTime can record audio or video. Press "Record" button and start recording music. Widows comes with audio recorder software too.
This is the cheapest, simplest option to recording. But of course it's not particularly flexible. You have to play everything at once, and you can only do very basic editing.

You want a bit more than that!
So, here is where your choice comes in.

a. I have no money to spend on recording program
Mac comes with GarageBand, but PC doesn't normally come with DAW(Digital Audio Workstation). But there is a freeware called Audacity. And of course, you can torrent programs if you really want, but I don't recommend it because they hardly ever work properly, and more importantly, it's a crime - thousands of dads (and moms) are working for these programs, and his families are supported by him. To steal the software means stealing money from the company, meaning that employees will suffer from lack of income, meaning that their family will suffer.

b. I have very little money, but want a bit more than above
There is a program called Reaper, which offers personal licence for $60. It's pretty awesome program for money!
For Mac users, Logic Express isn't too bad either!

c. I have fair amount of money
Number of choices explodes here, and each programs have its own advantages and disadvantages. All of them are good enough to do what you want for sure. You just need to learn how to use it. To name few popular ones - Cubase, Logic, Sonar, Record(Reason)...There are so many! They roughly cost $500.

I use Logic Pro, which I don't see any problem with doing what I need to do.

d. I have plenty of money
Then you can go for Protool or Nuendo. Protool is "The industry standard" software. However you can only use Protool hardwares, and also you will have to pay extra money for buying effects designed for Protool. I have no idea about Nuendo, but I assume it's worth the money : P

Now that you have these program, spending little time studying how to use them should get you to be able to do multi-track recording!

3. Microphones
You can use built-in microphones on your computer, but they sound terrible. So let's look at microphones.
Most computers have "mic in" socket that you can connect microphones with - You plug a new microphone into these and you should be able to use them.

a. I have no money to spend on microphone
Tough shit. Get a job or work with built-in microphones

b. I have very little money, but want a bit more than above
There are microphones you can buy in electrical shops (e.g. Radio Shack, Maplin). They at least look like a microphone. If you feel you can perform better by holding a microphone, by all means buy them, but they won't get you the best results. You can pick them up for $25-$100

c. I have fair amount of money
Fortunately, decent mics aren't all that expensive. For dynamic mics, Shure SM58 (Standard microphone for most live shows - Even for professional gigs) is around $100. Lots of people who prefer singing with holding mic would actually use these to record in the studio too. SM58 also is ok for recording instruments, although normally people prefer SM57 for instrument as you can get microphone capsule much closer than SM58. So if you mostly record instruments, and occasionally record vocal, SM57 would be good, if you record vocal mostly, and occasionally record instruments, SM58 might be better choice.
For condenser mics, Rode does decent ones cheap. NT-1A is often recommended as beginner's condenser mic and they cost around $200.

I use SM57 for recording the guitar.

What are difference between dynamic mics and Condenser mics? To keep it extremely simple, dynamic mics can only pick up sound from only one direction, and they aren't great with picking up high frequencies. Condenser mics are more sensitive, and they can pick up more high frequencies, but it picks up so much small noise that if you are surrounded with unwanted noise(e.g. on live stage) it's not good idea to use them. Condenser mics also need powered.

Because of this, condenser mics are often seen recording vocals in studio, and dynamic mics are seen on stages or recording percussions where low-mid frequencies have more important function than high frequencies.

d. I have plenty of money
Price for microphone for high end mic are a bit like buying high end guitar. Spend as much as you want, but most mics above $800 should be good enough if you know how to record!

For vocal, I used to use few mics including S.E.Electronic Gemini but now I just use vintage Shure SM-7 I picked up on Ebay. New SM-7 Beta costs around $350.

4. Interface
So you bought good microphone, connected to computer and recorded your music. But...It sounds rather average...How come?
This is because built-in AD/DA(Analogue to Digtal/ Digital to Analogue) converter in your computer is rather crappy.

What the hell is AD/DA converter? As you know, sound is an analogue wave. But computer doesn't understand concept of analogue signal. Computer only understand binary (machine language) consisting of 0 and 1. So this converter translates analogue sound wave to binary, and binary to analogue wave. But because the translation isn't done very well, it sounds crappy.

Imagine American guy and Japanese guy talking with translator who can speak Japanese and English. Both American and Japanese guy has to talk to the translator and trust him to translate their conversation correct. If translator is crappy, the conversation may still be possible, but quality of the conversation would significantly reduce compare to having a translator who is good at his job. It's the same thing.

a. I have no money to spend on interface
I guess you have to do with built-in mic in...

b. I have very little money, but want a bit more than above
Unfortunately there aren't anything I feel I can recommend for less than $200. ..

c. I have fair amount of money
Important thing you have to think about buying the interface is number of inputs you need. If two American people are talking to two Japanese guys, you need two translators, not one, at a time. But if one American can wait until other American guy finishes talking, then you only need one translator.
The same way, if you only record one input at once, there is no need to spend money on interface that can record 8 inputs at the same time.
If you record drums, you normally need at least 8(Over heads, Bass Drum, Snare, 3 Toms, hi-hat), If you record guitar two inputs would be useful sometimes (DI & Mic). There is no point paying for 8 inputs when you use only 2 at most, and it is wiser to pay for quality of input, rather than quantity. But if you record drums, you need at least 8 inputs.

For me, there was no point paying for more than couple of inputs, so I went for Apogee Duet, two input interface - It costed me around $500. But if you went for 8 inputs, Apogee Ensemble would be around $1800. The quality of the inputs are identical, so I saved $1300 : )

So there, think how many inputs you need, and there will be plenty of choice for most price range.

d. I have plenty of money
Really there are so many variation that I can't recommend! Remeber that important thing is to really think about what you need. However if you use Protool you will need to use their hardware so it won't give you much option!

5. Effects
a. I have no money to spend on effects
There are so many free effects. In fact, there are so many that it's hard to choose one!

b. I have very little money, but want a bit more than above
Again, there are so many for cheap price effects that it's hard to recommend one!

c. I have fair amount of money
Once you start to pay few hundred bucks, there are some established names, Waves products packages are the industry standard and I use them too. I also use PSP products.

d. I have plenty of money
Waves plug-ins are really "the" high-end plug-ins, and they are expensive, but worth the money in my opinion.

6. Monitors
a. I have no money to spend on monitors
That's ok, as long as you have something to playback music. Obviously it is easier to spot the problem with good speakers, but speakers won't actually affect the quality of recording since it's only playing back the recording. The key is that you listen to the music with as many speakers as possible. They reveal a lot about what's wrong with your mix.

b. I have very little money, but want a bit more than above
I personally think if your budget for montiors are small, you should go for earphones with the same price. You get far superior sound quality. A lot of music expert say any monitors are better than earphones, but that's a lie. So many people listen to music with iPod and earphones that not using earphones as part of mixing is just stupid idea.

c. I have fair amount of money
I'd still say go with earphones. Quality of playback is incomparable with monitors and earphones with the same price.

d. I have plenty of money
Then buy monitors by all means, but don't forget to acoustically treat the room as well. Good monitors in untreated room would sound much worse than alright monitors in well treated room.

7. Outboards
a. I have no money to spend on outboards
Don't worry.

b. I have very little money, but want a bit more than above
Don't bother. Buying plug-in effects with the money would get you far superior audio effect.

c. I have fair amount of money
Then you might want to look into finding effect that you almost always use for any track. I say this because by using Outboard, you can free up CPU usage of the computer hence it will perform much better. I would say EQ and compressor are two most frequently used effects. I have outboard compressor. I also bought preamp, since I wanted to make the signal into the computer as good as possible (And had no intention to take the signal out of the computer once it goes in). Every time A/D or D/A conversion happens, the error in audio increases. So it is best to keep number of conversion minimum.

d. I have plenty of money
Some people swear by analogue effects. I think they are better, but the money they charge isn't particularly worth it. Most average audience would hardly hear the difference. Still, there are difference, and for those who can hear the difference it does matter.

Also, there is a very simple rule that I think is very true:
"Further signal goes away from the computer, bigger the difference it makes to the sound".
Meaning that, performance, or choice of guitars have far bigger effect on audio than upgrading interface. (This also means that upgrading monitors have much bigger effect than upgrading interface, however, it only improves quality of playback, and not the actual recording - You can't expect everyone to use good speakers to listen to your music).

So upgrade things that are further from the computer first! i.e. Improve your skill first more than anything!
So if you want to upgrade things

Thursday, 22 April 2010

I could have lost my life today...unlikely but possibly.

Yesterday I went to see the demonstration of people of Silom against "Red shirts" in Bangkok representing the political conflict that has been the biggest problem in Thailand for good several months now. Here are some photos...

















































And the very spot I was standing in the last photo yesterday had a grenade thrown in today, causing 10 serious injuries and 1 death. I saw some pictures of this place on news with broken glass and blood. We drove past this spot 30 - 40 min before the explosion on the way back home today.

More than anything, it is disappointing that this is happening. My girlfriend is Thai and so naturally I have visited Thailand many times. It is a lovely country - It is stupidly hot but people are nice, food is good, things are cheap and it has very interesting culture. I'd love to recommend you to visit here at least once in your life - But not now, and I will probably have to warn people always in the future. While it is not my original place of birth, it is for my girlfriend, and I want to be proud of this country. But recent events really makes me feel this country is not completely safe. One Japanese reporter was shot dead in previous crash, and now this - I can't say it's unreasonable for Japanese people to be scared of visiting here. And it is very sad that this thought comes from myself.

Secondly, These people claim that they do it for the country, but is violence really answer to any problem ever? Is it really a way to solve problem that we want to pass down to our children? I am not a hardcore hippy like John Lennon, I know there will always be conflicts and differences, but I don't believe that violence is ever a good way to solve problems.
I'd like to think we know ourselves enough to understand that every one of us live with love from our family and friends, and we are all the same. If you get hurt your family and friends will be hurt - If you hurt someone, you hurt their family and friends too. I don't think I can ever justify action that destroy a family's happiness by claiming that I do it for my country.

I'm sorry to bring totally non-music related topic but it's not so often that I experience things like this, and I wanted to keep my thought somewhere while it is still fresh.

Thursday, 8 April 2010

Split EP pre-order! And rant on working attitude

So we are now taking pre-orders for Haunted Shores split EP! Considering that recording was done in January, it took a long time!
I guess this was partially because I needed to work with guys from Haunted Shores as well as myself.

As some of you who have been following Cyclamen would know, I am much better working on my own, and that was why Cyclamen stayed as solo project for so long.
Yes, it's hard working doing everything yourself, but you quickly find out that it's much faster than waiting for someone lazy to do the work for you.

Through past two years though, I have occasionally met people who are willing to work just as hard, like Tim from CultLovesYou, who always delivers amazing artwork without compromise. He is truly great guy - but that's so so rare. I almost always end up doing things myself faster.

I guess this will always be the problem for working with people. Different people have different priorities, and sometimes you simply don't agree with their decision. I take my work as musician pretty serious, I will put most things in lower priority to creating great music. But most people I have met, or worked with in the past had different view, and most cases I strongly disagreed with their decision. From their mouth, words like "Music is my life, it's everything" and then I see them wasting away times doing pointless things - watching TV, playing games, smoking weeds, getting drunk...Whatever. I have no objection to that, but DON'T say it's your life, don't say it's everything, because it's not. It is insulting to people who actually care about it. Some people DO dedicate their life into music.

I still have the same problem with the band at the moment. I feel they are making wrong decision and setting wrong priorities. And it annoys me. But you need to learn to work with people, accept the difference, and make the best out of it. It's just life.

Monday, 29 March 2010

How it's created: Let Go

* Apology in advance if this is lengthy and hard to read, I did try*

First of all, a bit about the time this song was written:
Just before I wrote this song, there was a big change in Cyclamen - Cyclamen became a band by Duncan and Olly joining Cyclamen. I had been working on Cyclamen on my own for a year and half doing everything myself - composing, performing, mixing, mastering, artwork etc. So this was a big change.

...Well, I say it's a big change, but why?
It's because this introduces subjective opinions that are not mine. And more often than not this means conflict - unproductive one. I was in a band for 9 years, and for a year and half after the band splitting up, I did not feel I was ready for this again. If you have been in a band you probably know how it feels, it is a pain, and it often brings you down big way.

But it's not all bad - having more member means more quality control. I'd like to think my quality control is pretty anal for anything Cyclamen produces, but some things slip, or somethings just aren't on my check list. Having someone else to look at it helps to spot these bits you've missed out yourself and it tightens screws for any leakage of awesomeness.

Other thing it does is that it introduces pressure to impress your bandmates. All I had to do until this stage was to come up with something I am happy with - And this is a bit of problem. If you are not strict to yourself you can easily say "F**k it, I can't be bothered anymore" and release the product. If you have bandmates to show it, you have to make sure you have worked hard enough to know that it's a good work that others can't criticise or laugh at. (It always makes us feel less confident when we hear negative comments about our creative ideas, so our fear makes us not to show junk ideas to our bandmates)

So, going back to the song: Let Go was the very first song I wrote after new members joined. And I felt pressure not to disappoint them - especially Olly, because we both were guitarists, and expectation from Cyclamen was always going to be high.

So I thought I'd write something that is melodic and technical - That should appeal to most guitarists. Olly and I didn't know each other's music taste very well, so it was always nice to start with something fairly neutral.

Another thing I decided about this song was to use left hand hammering on the guitar riffs. For some reason I always hated hammering - I had no problem with right hand tapping, but left hand hammering always felt like cheating as you can pluck the string with pick on the right hand while you are at it.
But trying new technique always brings new ideas, and it certainly did this case. And I think it worked well.

When I write songs, I normally write bar by bar. I obviously need a starting point, but once I have this starting point, it's slow and painful process.
I would write a bar, then play the song from the beginning and keep repeating until some new idea that naturally flows comes up. You record this new idea, and play the song from the beginning again and repeat it until new idea strikes again.

You normally eventually complete a riff - That to me just means a good chunk of guitar parts that can possibly be repeated.

Repeat above process few times and you will end up with few riffs. And once you have few riffs you can start arranging these riffs to make a song.

I have habit of making the ending of songs as big as possible, and Let Go is very typical of this. I keep the beginning of the songs busy so that when it comes to much more open epic bits there is maximum contrast to it. It normally works at least to my ears : )

Lyrically this song was inspired by a girl I knew who had some problem in her childhood. And no matter how I tried to get her to move on from her past, she kept hanging on it, and blamed everything bad happening to her to this past - even with things that had nothing to do with the past, just because it was easy for her to blame on it.
I really wanted to make a change to her attitude and I tried very hard, but she never moved on. In fact in the end she blamed me as well on her past and decided to throw me away from her life all together.

She was very capable person and I saw a lot of potential and bright future if she tried - Only thing that was preventing her from that was herself. Everyone can get to the bright future, but only if they choose to want it. It's our life, and it's our choice. Past stays with you, but it doesn't mean you have to be held back by it forever.